I found a public domain song I knew and loved “The Devil ts a Mighty Wind.”While listening to versions of “Wayfaring Stranger.” I ran across a folk duo Robin and Linda Williams their version on The Rhythm of Love lp released in 1990. I found a live version on this duo doing this song. Here it is:
Finding music in the public domain means listening to plenty of music from the past.. I learned the musicians,whose names change but the message remains the same. Bessie Smith, came into my world when Janis Joplin bought her a headstone, before Janis died of an overdose at 27(seems like the lifespan of the driven. ) Bessie has the voice. This song is gr8. Written by Charles Warfield and Clarence Williams in 1919 and Louie Prima and Frank Sinatra also sang this song. ” I learned a lot studying this song’s past.
I owe my understanding of recorded music to record collectors. In today’s world, these collections need to be digitized (analog to digital) and posted somewhere. Like this one on YouTube.com. Jazz roots have been recorded, and are now in the public domain starting with the early recordings in the beginning of the 20th century. It was called Jazz when it got to Chicago at the turn of the century.
Perform them! That way it’s yours! Just because the song listed below was in the public domain doesn’t mean you can use a version done by someone else. Here are the songs I found written before 1924, or donated to the public domain. So you can use these songs w/o owing anyone or getting a license to use in your social post, IF you perform them yourself.
But the performance by someone done recently would require permission to use in a video or any other use of that performance. So you will be liable if you post a performance of a public domain song composed after 1924. Although Silent Night was written before 1924 , this is a perfect example of a song performance of a public domain song not being “royality-free” Youtube must pay who ever has the rights for this performance by The Temptations. I suggest using your own version of one of these songs to avoid any copyright hassles.
Randy Rainbow owes a lot to Tom Lehrer. Before musical satire was an accepted art form, Tom was a pioneer (this link expires when the site is taken down.) I was surprised at how little has changed. Except for the outfits, music satire hasn’t changed much. Tom has left his music to the public.
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