A real music pioneer, Paul Whiteman added orchestral instrumentation to the jazz of the day and recorded “Do Wacka Do” over 90 years ago. We mastered the original for streaming, and cleaned up this masterpiece of fun and joy. I can picture a truly great cartoon of the singer and band in my mind just listening to this song.
Let’s get ready for the baseball season with Ed Meeker’s version of “Take Me Out To The Ballgame.” This classic recording of a hundred-year-old song extolling the virtues of America’s pastime is a must-listen. Mr. Meeker was an Engineer at Edison Records when he was asked to record this version of a song written by Jack Norworth and Albert Von Tilzer. Ironically neither of these gentlemen had ever been to a baseball game before writing this classic song. We have enhanced the sound quality of the original wax cylinder digitally with Michael Rosen’s assistance.
This is exactly why I love this site so much. I would have never heard Lydia sing, so clearly. Again thanks to Michael Rosen @ Easy Bay Recorders, he made us a clean digital file. What a great vocal! What fine 12 string guitar playing! What a dark song! Check out the translated lyrics.
Enigmatic blues legend Kid Bailey (AKA Willie Brown) left behind scant few recordings, and clean copies are difficult or perhaps impossible to come by. We downloaded the best audio we could find of Bailey’s classic “Rowdy Blues” from Archive.org, and asked producer Michael Rosen to employ his studio magic to reconstruct the audio with glitches and pops reduced and the warmth of the original recording brought to the fore. It’s a great live take from nearly a century ago, and we are happy to be able to share it for new audiences to enjoy today.
“You Are My Sunshine” is an example of country music’s large contribution to American music. This version shows off the song’s country roots. The tune was made popular by Jimmie Davis, who would later became governor of Lousiana. The song was written by a Paul Rice, but the songwriting was credited to the Jimmie Davis and Charles Mitchell, who purchased the song from Mr. Rice.
Wilf Carter, who performs this version, was a Canadian who often used the nickname of “Montana Slim.” Carter’s version evokes the deep melancholy in the song. The contrast between the cheery chorus (the most recognizable section), and the tone of the verses, make this version unique.
One curious part of this recording, the fluttery instrument that emerges during the first chorus, sounds like a direct reference point for a similar texture The Clash would employ on “Somebody Got Murdered,” several decades later.
Born in January of 1900 in Allatoona, Georgia, Clayton McMichen had his great success recording with Gid Tanner and the Skillet Lickers and Hometown Boys, and also as a solo artist. His solo effort performance of “Grave In The Pines” is a starkly sweet and sincere lament to a fallen love. McMichen performed regularly in Louisville, Kentucky until retiring in 1955, and later returning to the stage at the Newport Folk Festival in 1964.
In the American songbook, there are Standards and there are Standards. This would be a front cover of Standard Magazine. “All of Me” by Gerald Marks and Seymour Simons was first recorded by singer Ruth Etting. It was later recorded and performed by many others including Bing Crosby, Billie Holiday, Louis Armstrong, Benny Goodman, Ella Fitzgerald, Sarah Vaughan and even Frank Sinatra. Mildred Bailey’s lilting vocal helped put this great song on the map, with this early recording by Paul Whiteman’s orchestra.
Hot Lips, baby! Bill Brown and his Brownies really put something together on this side, recorded for the Brunswick label in 1927. This full combo performance featuring brass, reeds, banjo, tuba, piano, washboard and percussion is as air-tight as it is humorous and fun. Note, the record label states plainly: “For Dancing.” They weren’t kidding! This is so hot, you’re gonna need some lip balm.
Born in Canada in 1900, keyboardist and composer Hartzel “Tiny” Parham grew up mostly in Kansas City. As a young man, Parham relocated to Chicago where he established himself as a bandleader and also worked as an arranger and talent scout for Paramount Records. He cut numerous sides for Victor Records, under the name Tiny Parham and His Musicians. Here is one of those classic sides, the ebullient and musically very advanced “Washboard Wiggles.” You had to be on your toes to keep up with this cat, and they were, and they did! Enjoy.
John Len Chatman, better known as Memphis Slim, started his life in (you guessed it) Memphis, Tennessee before emigrating to Paris, France in the 1960’s. He made over 500 recordings in his career, for Bluebird, Okeh, Miracle, and other original blues and folk labels, teaming up with Sonny Boy Williamson, Big Bill Broonzy, Willy Dixon and many other blues greats along the way. This early recording of “I Just Landed In Your Town” features an incredible vocal and piano performance by Memphis Slim, accompanied only by guitar.