Perform them! That way it’s yours! Just because the song listed below was in the public domain doesn’t mean you can use a version done by someone else. Here are the songs I found written before 1924, or donated to the public domain. So you can use these songs w/o owing anyone or getting a license to use in your social post, IF you perform them yourself.
But the performance by someone done recently would require permission to use in a video or any other use of that performance. So you will be liable if you post a performance of a public domain song composed after 1924. Although Silent Night was written before 1924 , this is a perfect example of a song performance of a public domain song not being “royality-free” Youtube must pay who ever has the rights for this performance by The Temptations. I suggest using your own version of one of these songs to avoid any copyright hassles.
This 1924 recording of this top-selling “Hillbilly-marketed” song became public domain in January. Recorded by Country Hall of Fame Honoree, Vernon Dahlhart, who was born Marion Try Slaughter, for Victor Records, this recording became one of the biggest selling singles of the 1920s. Written by Vernon but copyrighted in the name of his cousin, Guy Massey, it has been re-recorded by many famous artists such as Hank Snow and Bill Monroe. This single “The Prisoner’s Song” was #1 on the charts for over 12 weeks and sold over 9 million copies.
I want to be first in 2020 to share some music that arrived in the public domain. Can you believe George Gershwin’s “Rhapsody In Blue” is ours to use!?
The composition was commissioned by bandleader Paul Whiteman. It was orchestrated by Ferde Grofé. It was considered modern in 1924. I selected a performance done in 2011. It still sounds modern whenever it’s performed.
So far this year there has been much written and published about the Public Domain. The concept of copyright expiration for the good of mankind has been around since the advent of copyright protection. This might be an old concept, but it has only come to being this year in the U.S. There have been many articles. This is a good one, about why and what comes into public ownership this year, so the public can use or enjoy the content without copyright restrictions. I try to make some of this music known. I’ve become interested in the roots of rock and roll, the Delta Blues. Son House, born in 1902. He was in his 20s when his songs were recorded by Alan Lomax.
Son House was discovered and promoted as a young man by reigning Delta Blues king, Charley Patton. House’s style would greatly influence Robert Johnson and Muddy Waters, and later Bonnie Raitt, John Hammond, Jr. and The White Stripes. Released in 1930, the 78 RPM vinyl of “Clarksdale Moan” was long considered a “Holy Grail” of lost blues recordings. Here’s an mp3 from an original copy found by an ecstatic collector in the 1990’s. An absolute treasure.
Public domain is an area of copyright law that’s extremely important for the preservation of historically great music, but it’s often confusing or intimidating to newcomers. How exactly does public domain music “work,” and how can you find songs and other pieces of music in the public domain?
The Basics of Public Domain
“Public domain” is a field that applies to many different areas of art, but in the music world, it refers to any song not covered by copyright law. It is completely legal and free to use this music in practically any way you choose.
A song can enter the public domain in one of four ways:
All rights to the music have expired. This is the most complicated circumstance. Essentially, copyright law has a fixed expiration date. Depending on the nature of the work and the laws that were and are currently in place, every piece of music’s copyright eventually expires—usually many decades after the original author’s death. Upon this expiration, the piece of work enters the public domain.
The music was created with the intention of being “public domain.” Some musicians intentionally create music for the public domain with no intentions of making use of copyright laws. This could be because they’re experimenting with new recording strategies, because they want more exposure, or just because they’re giving back to the community. In any case, their work is entirely up for grabs.
No copyrights for the music ever existed. There are some circumstances where the copyright for the work never existed. For example, all historical musical works (i.e., those created before 1922) are considered public domain. This is why it’s fairly easy to find sheet music for classic works.
The copyright was not renewed. If the copyright for an original piece of music is not renewed upon expiration, the piece may enter the public domain as well.
Why Is Public Domain Music Important?
Why does this matter to you? Some businesses have interest in using public domain music to save money on purchasing song rights, but for most people, the real value is getting to listen to some of the greatest music ever created—without paying a cent.
The past 100 years of music is a very recent history. From classical and folk music all the way through the earliest origins of jazz and blues, there have been inventive composers, talented performers, and groundbreaking innovators who set the stage for modern musicians to follow. Public domain gives you a chance to hear all these remarkable songs firsthand, for your personal enjoyment, for educational purposes, or to inspire you to create new music of your own.
Using a platform like PublicDomain4u.com , you can delve into the root influences of some of your favorite modern songs, discover artists you might have never considered before, and develop your tastes and sensibilities as a music connoisseur. If you’ve never delved into the world of classical, folk, blues, and jazz music history, you’ll be amazed at how much instrumental innovation, emotional composition, and historical relevance you can find in these songs—all of which are available for free.
The Copyright Term Extension Act and Public Domain Music
The is one of several legislative acts that have increased the terms of copyrights, and it’s of particular consequence because of the number of works released to the public.
Thanks to this act, all individually authored works, like songs, will enter the public domain 70 years after the author’s death. All corporate works will now enter the public domain either 120 years after they were recorded or 95 years after they released—whichever of these dates comes first. Any songs recorded between 1923 and 1946 may be protected for 100 years after they were released, expiring between 2023 and 2046, accordingly. Recordings between 1947 and 1956 will have 110 years of protection, expiring between 2047 and 2056, accordingly. And any recordings made between 1957 and 1972 will have protection terminated in 2067.
As you can see, this law doesn’t have much bearing on modern recordings; if there’s a song you like topping the charts today, it’s going to take a century or longer before it enters the public domain by default. You may also have to consult with state laws to determine if some works are copyrighted.
These terms serve as an extension of those created by the Copyright Act of 1976, which set copyright duration for the full life of the author plus another 50 years (or 75 years for corporate-authored works). Due to their introduction, works covered by copyright in 1998, if they were made in 1923 or later, would be delayed in entering the public domain. Basically, the additional 20 years of copyright coverage has led to a 20-year gap in songs entering the public domain (from 1999 to 2019).
How to Find Public Domain Music
If you’re eager to start listening, there are a few different approaches you can take to find public domain music. You could find an artist or musician who specializes in creating public domain music and follow them for regular new pieces. You could research the history of music and discover some of the greatest musicians who ever lived—then use Google searches to find recordings of specific songs they created. But it’s usually better to seek a platform that specializes in public domain music.
If you’re looking to discover more about the roots of jazz music, or if you want to dive deeper into the history of blues, you’ve come to the right place. At PublicDomain4U, you’ll find lists of free music in the public domain in multiple genres and categories. You can scope out the top 10 list, where you’ll find pieces like Mozart’s chamber ensemble composition Eine Kleine Nachtmusik, as well as an early recording of Swing Low, Sweet Chariot, a song that’s deeply ingrained in our culture, and other recordings that capture the mood and culture of an era long past. You can also browse by genre to find songs in a particular category, like blues, jazz, classical, folk, or instrumental. Here, you’re bound to find your next great musical passion—or possibly the inspiration to create some of your own!
These treasured works by the honored poet Robert Frost become ours on January 1st, 2019. Long overdue, extensions of the copyright law will expire on this new year’s day. Many educators consider this very important to our culture. “The public domain has been frozen in time for 20 years, and we’re reaching the 20-year thaw,” says Jennifer Jenkins, director of Duke Law School’s Center for the Study of the Public Domain. “We have shortchanged a generation,” said Brewster Kahle, founder of the Internet Archive. “The 20th century is largely missing from the internet.” Seems the Disney Company is blamed, for its lobbying for the passage of copyright protection laws for Mickey Mouse, as the reason for this cultural bankruptcy. Whoever is responsible, it’s finally going to change.
Fortunately, these poems and many more works become part of the public domain, available to all, by the correct application of copyright law (copyright expiration). So if you want to read these works of art and make a video of yourself, you can post it anywhere with no one to legally stop you. These beautiful poems were published in 1923 or before, making them 95 years old and available for public ownership.
“THE ROAD NOT TAKEN”
Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth;
Then took the other, as just as fair,
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that the passing there
Had worn them really about the same,
And both that morning equally lay
In leaves no step had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back.
I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I—
I took the one less traveled by,
And that has made all the difference.
“STOPPING BY THE WOODS ON A SNOWY EVENING”
Whose woods these are I think I know.
His house is in the village, though;
He will not see me stopping here
To watch his woods fill up with snow.
My little horse must think it queer
To stop without a farmhouse near
Between the woods and frozen lake
The darkest evening of the year.
He gives his harness bells a shake
To ask if there is some mistake.
The only other sounds the sweep
Of easy wind and downy flake.
The woods are lovely, dark, and deep,
But I have promises to keep,
And miles to go before I sleep,
And miles to go before I sleep.
“FIRE AND ICE”
Some say the world will end in fire,
Some say in ice.
From what I’ve tasted of desire
I hold with those who favor fire.
But if it had to perish twice,
I think I know enough of hate
To say that for destruction ice
Is also great
And would suffice.
“EVENING IN SUGAR ORCHARD”
From where I lingered in a lull in March
outside the sugar-house one night for choice,
I called the fireman with a careful voice
And bade him leave the pan and stoke the arch:
‘O fireman, give the fire another stoke,
And send more sparks up chimney with the smoke.’
I thought a few might tangle, as they did,
Among bare maple boughs, and in the rare
Hill atmosphere not cease to glow,
And so be added to the moon up there.
The moon, though slight, was moon enough to show
On every tree a bucket with a lid,
And on black ground a bear-skin rug of snow.
The sparks made no attempt to be the moon.
They were content to figure in the trees
As Leo, Orion, and the Pleiades.
And that was what the boughs were full of soon.