Jazz greats have to start somewhere, Louie Armstrong started here. Joseph Nathan Oliver, known as King Oliver, an excellent coronet player himself, gave Louis his 1st entertainment job in his creole band, took him under his wings, and taught him the music biz ropes. Tim Gracyk has made a sensational YouTube post of this song, and it includes some gr8 old images. I encourage you to expand your music horizons and give a listen.
Please help me! I wrote this song in 1976. The recording I made got the attention of the record company guy (me at the time), who got my message. I want the message to get out to everyone. I didn’t perform it because I thought it was an obvious sentiment. I’m now too old to want promote this song live or on social media, ergo I NEED YOUR HELP.
A BRIEF HISTORY:
I was walking through an exhibit of player pianos in 1975 and saw a one-man-band playing “Stars and Stripes Forever” by John Philip Sousa. It was so cool! I recorded it with Glen Kolotkin. I wrote a ditty incorporating a nursery rhyme about being kind to web-footed friends in my duck voice. I was helped by Jon Sargent of Purple Earthquake , who arranged the vocals and Tommy Dunbar, Rubinoos, who added electric guitar in the “Pete” tradition of working with Beserkley band members.
The song was released in 1976 to coincide with the America’s 200th birthday. I never toured, I was not an act.. After the recording paid for itself, I stopped working the song. I felt the premise of the song was so obvious and forgot about it until
IT GOT ERIC DIN’S ATTENTION.
THE SONG GOT ERIC DIN’S (another record company guy) ATTENTION.
Says Din: “We’re excited to get this timely remix out to the streaming services on Earth Day 2022. I was surprised to learn Pete did the “duck” vocals himself, and when I read the lyrics, this suddenly became more than a novelty song for me. It’s an unexpected environmental anthem, and we’re proud to release it on Berkeley Cat Records.
I made the original video with Calvin West, drawings by Trimla Rose, and I posted it on Youtube.
Copyrighted creative works, whether they’re books, movies, or music, enter the public domain in the United States after 95 years, meaning they’re free for use by the American public. Winnie The Pooh was first published in 1924, becomes that old and is yours to use or modify! I admit it will be tough to see the pornagraphic uses of Winnie.
I owe my understanding of recorded music to record collectors. In today’s world, these collections need to be digitized (analog to digital) and posted somewhere. Like this one on YouTube.com. Jazz roots have been recorded, and are now in the public domain starting with the early recordings in the beginning of the 20th century. It was called Jazz when it got to Chicago at the turn of the century.
Perform them! That way it’s yours! Just because the song listed below was in the public domain doesn’t mean you can use a version done by someone else. Here are the songs I found written before 1924, or donated to the public domain. So you can use these songs w/o owing anyone or getting a license to use in your social post, IF you perform them yourself.
But the performance by someone done recently would require permission to use in a video or any other use of that performance. So you will be liable if you post a performance of a public domain song composed after 1924. Although Silent Night was written before 1924 , this is a perfect example of a song performance of a public domain song not being “royality-free” Youtube must pay who ever has the rights for this performance by The Temptations. I suggest using your own version of one of these songs to avoid any copyright hassles.
Public domain music is very, very significant. It reflects our culture in a nutshell. It requires music collectors/lovers to share these cultural nuggets. We thank them. Music that survives the ages of neglect and competition from modern artists is truly worthy of listening to and sharing. The multi-national corporations compete for your eyeballs and time with their music. Public domain music becomes even more enjoyable as it survives. The “top down” nature of the “music business” makes this “bubble up” of music love even more significant. Any music made before 1924 can be used by you and me with no permission or payments due to anyone.
This song written by Jelly Roll Morton when he was a teenager qualifies as a public domain composition. I found a version performed by Jelly Roll Morton himself, preserved by music fans just read the comments.