Public domain music is very, very significant. It reflects our culture in a nutshell. It requires music collectors/lovers to share these cultural nuggets. We thank them. Music that survives the ages of neglect and competition from modern artists is truly worthy of listening to and sharing. The multi-national corporations compete for your eyeballs and time with their music. Public domain music becomes even more enjoyable as it survives. The “top down” nature of the “music business” makes this “bubble up” of music love even more significant. Any music made before 1924 can be used by you and me with no permission or payments due to anyone.
This song written by Jelly Roll Morton when he was a teenager qualifies as a public domain composition. I found a version performed by Jelly Roll Morton himself, preserved by music fans just read the comments.
The early days of jazz spawned great women jazz pianists —
Mary Lou Williams
This self-taught musician started her career at age seven in Pittsburgh as “the little piano girl of East Liberty.” She wrote, arranged and performed with the likes of Duke Ellington, Louis Armstrong, Earl Hines, Benny Goodman and Tommy Dorsey.
Sweet Emma Barrett, Billie Pierce, Jeanette Kimball, Mary Lou Williams, among them. These women were so talented some eventually became band leaders, and these ground-breaking women made some significant contributions to Jazz. Here are some:
Sweet Emma Barrett
She played with the Preservation Hall Jazz Band, sometimes one-handed after a stroke. Here she is being interviewed by Art Duke and performing with the Preservation Hall Jazz Band.
Another member of the renown Preservation Hall Jazz Band. Here she is performing with her husband Dede. I appreciate the enhanced audio (by Konrad Klingelfus) on this track.
Jeanette Kimball was classically trained and played in “society bands” with Papa Celestin. Here’s an example:
She finally got to record on her own, and you can hear her piano chops:
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