First let’s make sure we understand the concept of the public domain
It consists of all the creative works to which no exclusive intellectual property rights apply. Those rights may have expired, been forfeited, expressly waived, or may be inapplicable. Wikipedia
This means the public owns these works, not an individual author or artist as copyright law dictates. With correct research, anyone can use a public domain work without obtaining permission, but no one can ever own it.
Here are some invaluable tools to understanding and finding Entertainment in the Public Domain:
Summed up the research required: There are four common ways that works arrive in the public domain:
- the copyright has expired
- the copyright owner failed to follow copyright renewal rules
- the copyright owner deliberately places it in the public domain, known as “dedication,” or
- copyright law does not protect this type of work.
Did some research for us for this January 2019. According to them, on what They call “Public Domain Day.” No one owns the rights to these entertainment gems and more:
Safety Last!, directed by Fred C. Newmeyer and Sam Taylor, featuring Harold Lloyd
The Ten Commandments, directed by Cecil B. DeMille
The Pilgrim, directed by Charlie Chaplin
Our Hospitality, directed by Buster Keaton and John G. Blystone
The Covered Wagon, directed by James Cruze
Scaramouche, directed by Rex Ingram
Edgar Rice Burroughs, Tarzan and the Golden Lion
Agatha Christie, The Murder on the Links
Winston S. Churchill, The World Crisis
e.e. cummings, Tulips and Chimneys
Robert Frost, New Hampshire
Kahlil Gibran, The Prophet
Aldous Huxley, Antic Hay
D.H. Lawrence, Kangaroo
Elmer Rice, The Adding Machine
Bertrand and Dora Russell, The Prospects of Industrial Civilization
Carl Sandberg, Rootabaga Pigeons
Edith Wharton, A Son at the Front
P.G. Wodehouse, works including The Inimitable Jeeves and Leave it to Psmith
These timeless works of art contribute to mankind, and can be republished or used for free by any member of the public.
The story of multiple free uses of the film Frank Capra’s masterpiece “It’s A Wonderful Life is a lesson to us all. ”The copyright was not renewed (because of entertainment business reasoning), it became public domain in 1974, and television stations used the free programming whenever they wanted to save money during the Christmas season. Since then, the film soared in popularity to being considered #1 on the Best of the Christmas movies list.
If you’re a creator or a consumer, you’re still a member of the public, and these works are yours to enjoy because we all own them.
Please don’t confuse the “Fair Use” doctrine with “Public Domain.”
Both are exceptions to copyright protection, but “fair use” does not allow for public ownership it allows someone to use copyrighted material if it meets certain criteria, but the copyright is still owned by the original owner, not the public.
Christmas music is omnipresent during the holiday season. Some of these melodies and the songs themselves were sung as long ago as the 1850s. Some were written for the holidays more recently. I have tried to make an accounting of popular holiday songs. That does NOT mean the recorded version of any of these songs are also in the public domain. Please remember both the copyright in the song and the recording have to be expired for the public to own the piece of music to be used. But no performing rights society can collect from public performances.
Here is a quick listen and an instrumental version of a Christmas standard
Songs I found to be in the public domain
- Angels We Have Heard on High
- Away in a Manger
- Go Tell It on the Mountain
- Hallelujah Chorus
- Hark! The Herald Angels Sing
- Jesu, Joy of Man’s Desiring
- Joy to the World
- O Come, All Ye Faithful
- O Come, O Come Emmanuel
- O Holy Night
- O Little Town of Bethlehem
- The First Noel
Songs that are not in the public domain and have been written within the last 95 years
- Carol of the Bells
- Do You Hear What I Hear?
- Have Yourself a Merry Little Christmas
- Little Drummer Boy
- The Christmas Song
- White Christmas
Public Domain laws were designed for the good of the people. “Public domain” refers to creative works that are no longer protected by intellectual property laws, as copyrights, trademarks, or patents. The public owns these works. Anyone can use a work in the public domain without obtaining permission, because no one can ever own it.
The copyright/patent law concept was unknown in the17th century. The laws governing property until then had been organized around physical property rights. The concept of Intellectual property didn’t exist. “Owning an idea” is a relatively modern invention. Today, to own the unique interest in something created from an idea, is an accepted concept, but it was only considered a few hundred years ago, after the printing press was invented in Europe. In the reckoning of the time, new unique ideas could became property, and they needed laws to govern this new form of property. That reasoning was that these properties, without physical form, could only be protected as property for a finite period of time. Someone could exclusively own a non-tangible object for a finite time. The concept, that someone owns something that they thought up, was radical, in the 17th century. But by the 18th century there were laws about this new ownership concept. The body of thought about ownership of ideas was so important, that copyright law, although not formalized before the time the constitution was drafted, was still mentioned for inclusion in the U.S. Constitution. When someone is granted these exclusive copyrights, by law, these rights must expire after a certain time. So all the people then own the intellectual achievements, once the copyright or patent expires.
Here are some ways a work of art can enter the public domain. The copyright expires, the copyright owner fails to renew the copyright, or the copyright owner by his or her deliberate action “dedicates” the work to the public domain.
Generic drugs, whose patent has expired, becomes lower-priced, and with no new research or marketing costs, can be produced by anyone. The absence of these costs allows anyone to make the needed medicines or drugs for less, once the patent has expired. This is a great example of the public good derived from public ownership. The public ownership allows for competition in pricing, because the original creator no longer has any economic involvement. Anyone can use the creation, as if they themselves own it.
This principle applies to literature, entertainment, and music as well. For these timeless art forms to be shared is a benefit to mankind. Public domain levels the playing field (no production or marketing costs) so the “free” concept makes this art accessible to everyone.
For the first time, in January 2019, The United States will celebrate Public Domain Day, when some entertainment masterpieces enter the public domain. Public Domain is very beneficial for the soul of America.
Music in the public domain has stood the test of time and becomes legally accessible.
Public domain music is dependent on music’s need to be shared. This sharing requires a special kind of music love! The first step is record collectors who purchase and preserve original recordings. Fortunately for us, recorded music’s beginnings, including all different kinds of music, have been preserved because of technologies invented by mankind. Recorded music history only goes back about 100 years. Before recorded music, music was written, and that was the only way to preserve musical ideas. The world of written music was a “walled garden” for the few who could read the “open source code” that music was transcribed in. As recorded music’s early history falls into the public domain, the roots of popular music become available to public for free.
We are truly fortunate that the recorded music business has a such short history. It started when Thomas Edison invented the phonograph in 1877. It grew out of the selling of music re-creations created by mechanical technologies called records. There has always been a need to focus on “popular” songs, to stay in touch with the consumers’ pocketbooks. Companies experimented with all kinds of emerging music forms, to find popular trends. The industry tried any form of music that they could use to turn a profit. The artist, or recorded music company by contract, owned the copyrights to this music. Blues and jazz were attractive when it came to the bottom line, as record companies often payed the artists a low flat fee and then owned the copyrights.
Making a profit after the overhead expenses of recording and any $s required to create popular music, is the challenge faced by any recorded music company. So these early recorded music experiments have been preserved by knowledgeable recorded music collectors. Even better for mankind, some of these recorded music curators, different than record companies, valued the quality of the music, not the amount of popular acceptance (profit), made by these creative treasures. Not only did they purchase and preserve these works of art based on quality instead of profit, they made mp3s by converting the analog recordings to digital files. This act of music love is what enables us to publish links to this wonderful music @ PublicDomain4u.com. We too have focused on the music’s quality rather than its popularity. We thank ALL the music collectors/lovers who have in their music love, made it possible for us to publish links to this wonderful music.
This is an example of music standing up to the test of time has made it thru these 4 steps:
Step 1 requires filtering by a recording company employee who selects which artist to record, and what songs to spend the recording monies on. So the original recording company who selected who and what to record.
Step 2 requires someone to purchase the recording. So the music collector, someone purchased and then preserved the “rare” recording.
Step 3 is an act of unrewarded sharing and music love at it’s best, and w/o these postings this site would be hard pressed to find music. So there is a music lover who digitized, and another site which allowed the posting of digital files so fellow music enthusiasts could listen.
Step 4 is us looking through this wonderful music to find gems and publish links to the music we feel needs to be shared with fellow music lovers.
From Kansas City Kitty & Georgia Tom we get this upbeat blues number, “How Can You Have the Blues,” a flirty duet about a woman who appears to have it all, but is continually bogged down by depression. The name Kansas City Kitty may not ring any bells with the most enthusiastic American blues aficionados. It could be because there is a mystery behind the true identity of this sexy-voiced blues woman, but what we do know is that this track, recorded in 1930, features Thomas A. Dorsey, with a way out-of-character performance, on piano and vocals, playing under his popular pseudonym Georgia Tom. With its fantastic melody and conversational blues style, this number lends truth to the idea that money can’t buy you happiness. I chose this “Back in Time” version because it sounds the best.