I found a public domain song I knew and loved “The Devil ts a Mighty Wind.”While listening to versions of “Wayfaring Stranger.” I ran across a folk duo Robin and Linda Williams their version on The Rhythm of Love lp released in 1990. I found a live version on this duo doing this song. Here it is:
Finding music in the public domain means listening to plenty of music from the past.. I learned the musicians,whose names change but the message remains the same. Bessie Smith, came into my world when Janis Joplin bought her a headstone, before Janis died of an overdose at 27(seems like the lifespan of the driven. ) Bessie has the voice. This song is gr8. Written by Charles Warfield and Clarence Williams in 1919 and Louie Prima and Frank Sinatra also sang this song. ” I learned a lot studying this song’s past.
I owe my understanding of recorded music to record collectors. In today’s world, these collections need to be digitized (analog to digital) and posted somewhere. Like this one on YouTube.com. Jazz roots have been recorded, and are now in the public domain starting with the early recordings in the beginning of the 20th century. It was called Jazz when it got to Chicago at the turn of the century.
Perform them! That way it’s yours! Just because the song listed below was in the public domain doesn’t mean you can use a version done by someone else. Here are the songs I found written before 1924, or donated to the public domain. So you can use these songs w/o owing anyone or getting a license to use in your social post, IF you perform them yourself.
But the performance by someone done recently would require permission to use in a video or any other use of that performance. So you will be liable if you post a performance of a public domain song composed after 1924. Although Silent Night was written before 1924 , this is a perfect example of a song performance of a public domain song not being “royality-free” Youtube must pay who ever has the rights for this performance by The Temptations. I suggest using your own version of one of these songs to avoid any copyright hassles.
Randy Rainbow owes a lot to Tom Lehrer. Before musical satire was an accepted art form, Tom was a pioneer (this link expires when the site is taken down.) I was surprised at how little has changed. Except for the outfits, music satire hasn’t changed much. Tom has left his music to the public.
Public domain music is very, very significant. It reflects our culture in a nutshell. It requires music collectors/lovers to share these cultural nuggets. We thank them. Music that survives the ages of neglect and competition from modern artists is truly worthy of listening to and sharing. The multi-national corporations compete for your eyeballs and time with their music. Public domain music becomes even more enjoyable as it survives. The “top down” nature of the “music business” makes this “bubble up” of music love even more significant. Any music made before 1924 can be used by you and me with no permission or payments due to anyone.
This song written by Jelly Roll Morton when he was a teenager qualifies as a public domain composition. I found a version performed by Jelly Roll Morton himself, preserved by music fans just read the comments.
I always loved the Stooges. I was surprised to find 3 videos had become public domain thru the not timely copyright renewal route. It seems you can find a lot of FREE videos on YouTube.com
It seems the “Modern Version” which includes the original Curley’s grandson and is the public’s (a PSA about the coronavirus.)
This 1924 recording of this top-selling “Hillbilly-marketed” song became public domain in January. Recorded by Country Hall of Fame Honoree, Vernon Dahlhart, who was born Marion Try Slaughter, for Victor Records, this recording became one of the biggest selling singles of the 1920s. Written by Vernon but copyrighted in the name of his cousin, Guy Massey, it has been re-recorded by many famous artists such as Hank Snow and Bill Monroe. This single “The Prisoner’s Song” was #1 on the charts for over 12 weeks and sold over 9 million copies.
1924 and Jazz’s early recorded history are now converging. This Jazz classic, Gertrude “Ma” Rainey’s See See Rider Blues, was written and performed in 1924. It also features Louis Armstrong on trumpet. The best part is it’s yours, Or should I say ours?
I want to be first in 2020 to share some music that arrived in the public domain. Can you believe George Gershwin’s “Rhapsody In Blue” is ours to use!?
The composition was commissioned by bandleader Paul Whiteman. It was orchestrated by Ferde Grofé. It was considered modern in 1924. I selected a performance done in 2011. It still sounds modern whenever it’s performed.
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