Here’s legendary American singer Alberta Hunter’s vintage recording of “Nobody Knows The Way I Feel This Morning.” Originally penned by Tom and Pearl Delaney, this classic was later a hit for Dinah Washington and Aretha Franklin. Alberta Hunter and her small, smart combo, put this song on the musical map forever in 1921, with this unforgettable take.
An American music institution, The Memphis Jug Band was active from the 1920’s all the way through the late 1950’s. Their repertoire over the years encompassed a wide variety of styles – folk, ballads, blues and jazz – and of course, jug music! “Stealin’ Stealin'” was recorded in Memphis, Tennessee in 1928, with bandleader Will Shade presiding on harmonica. A great track from the early stages of this storied band, from the vinyl 78RPM to your eardrums in hi-res mp3 format.
It is impossible to overstate the importance of Charley Patton’s music and its lasting influence. Robert Johnson, Howlin’ Wolf, John Lee Hooker and other key figures in American music were directly and profoundly inspired by Patton in his lifetime. This recording of his own “Poor Me” – made shortly before his passing in 1934, captures Charley Patton’s masterful guitar technique and unique vocal style in a sublime solo performance.
Ora Alexander was a blues singer and Vaudeville performer who recorded for Columbia Records in the early 1930’s. “You’ve Got To Save That Thing,” one of her better known tracks, is a definitive slice of the Vaudeville Blues genre. The performance just plain rocks, with raw accompaniment in the barrelhouse style, and a blistering vocal that would bring the house down in any nightspot today. Judging from the hoots and hollers, those present at this recording session couldn’t contain their enthusiasm! Well neither can we.
Here is a stellar performance of Beethoven’s Concerto No. 5, in E-flat Major, Op. 73 (“Emperor”), by the London Philharmonic Orchestra, conducted by George Szell, featuring Benno Moiseivitch on piano. The audio quality is superb, especially when you consider this was recorded in 1938 and only much later transferred to a digital medium. Here’s the first movement.
I. Allegro
Skip James’ recordings are instantly recognizable as much for his peculiar guitar style as for his utterly unique voice. He does this other-worldly falsetto wail kind of thing, and the way he tuned his 6-string acoustic steel string influenced many later music legends, including Eric Clapton. “Cherry Ball Blues” is a classic lament about losing love. This nice clean mp3 copy of the original vinyl side is free, and priceless.
