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Country | Public Domain 4U

THE 1ST MILLION-SELLING COUNTRY SINGLE BECOMES PUBLIC DOMAIN

This 1924 recording of this top-selling “Hillbilly-marketed” song became public domain in January. Recorded by Country Hall of Fame Honoree, Vernon Dahlhart, who was born Marion Try Slaughter, for Victor Records, this recording became one of the biggest selling singles of the 1920s. Written by Vernon but copyrighted in the name of his cousin, Guy Massey, it has been re-recorded by many famous artists such as Hank Snow and Bill Monroe. This single “The Prisoner’s Song” was #1 on the charts for over 12 weeks and sold over 9 million copies.

Clayton McMichen – “Grave In The Pines”

ClaytonMcMichenPDBorn in January of 1900 in Allatoona, Georgia, Clayton McMichen had his great success recording with Gid Tanner and the Skillet Lickers and Hometown Boys, and also as a solo artist. His solo effort performance of “Grave In The Pines” is a starkly sweet and sincere lament to a fallen love. McMichen performed regularly in Louisville, Kentucky until retiring in 1955, and later returning to the stage at the Newport Folk Festival in 1964.

Earl Johnson and His Clodhoppers- “Ain’t Nobody’s Business”

earl-johnson-dixie-entertainers

This righteous song claims freedom from stodgy ways. Punk before there was Punk.  A blues standard, this was adapted for fiddle by Earl Johnson, who learned to play the fiddle from his father. I’m sure you’ll notice the attitude this fiddler’s arrangement has. I admire the spunk!

Peg Leg Howell – “Peg Leg Stomp”

Born on a farm in Eatonton, Georgia in March of 1888, Joshua Barnes Howell taught himself to play guitar at the age of 21. He took the name “Peg Leg” after losing his right leg when he was shot in a fight. Howell then moved to Atlanta to pursue music full-time and in 1926 he was discovered and recorded by Columbia Records. On “Peg Leg Stomp” as on a series of releases through the 1920’s, Howell was accompanied by Eddie Anthony on fiddle and Henry Williams on guitar. Decades later, during the 1960’s blues revival, Peg Leg Howell was rediscovered by George Mitchell, who recorded him again.