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	<title>Folk Blues | Public Domain 4U</title>
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	<link>https://publicdomain4u.com</link>
	<description>MUSIC THAT STOOD THE TEST OF TIME</description>
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		<title>Son House &#8211; &#8220;Mississippi Country Farm Blues&#8221;</title>
		<link>https://publicdomain4u.com/son-house-mississippi-country-farm-blues/</link>
		
		<dc:creator><![CDATA[publicdomain4u]]></dc:creator>
		<pubDate>Sun, 03 Mar 2019 11:55:37 +0000</pubDate>
				<category><![CDATA[Free Listen]]></category>
		<category><![CDATA[Blues]]></category>
		<category><![CDATA[Country]]></category>
		<category><![CDATA[Folk Blues]]></category>
		<guid isPermaLink="false">http://www.publicdomain2ten.com/?p=7819</guid>

					<description><![CDATA[This scratchy copy of a Son House classic is pure gold. A master at creating unusual chord structures, Son House uses his vocal and guitar to create moving double-harmonies. Jack White of White Stripes fame dedicated the White Stripe&#8217;s first album to Son House.]]></description>
										<content:encoded><![CDATA[<p><img decoding="async" src="https://publicdomain4u.com/wp-content/uploads/2015/01/son-house.jpg" /></p>
<p>This scratchy copy of a Son House classic is pure gold. A master at creating unusual chord structures, Son House uses his vocal and guitar to create moving double-harmonies. Jack White of White Stripes fame dedicated the White Stripe&#8217;s first album to Son House.</p>
<p><iframe width="560" height="315" src="https://www.youtube.com/embed/7bT4CjPDm_c" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></p>
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		<post-id xmlns="com-wordpress:feed-additions:1">24522</post-id>	</item>
		<item>
		<title>Carl Martin &#8211; &#8220;Joe Louis Blues&#8221;</title>
		<link>https://publicdomain4u.com/carl-martin-joe-louis-blues/</link>
		
		<dc:creator><![CDATA[publicdomain4u]]></dc:creator>
		<pubDate>Thu, 07 Feb 2019 10:09:10 +0000</pubDate>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[Free Listen]]></category>
		<category><![CDATA[General]]></category>
		<category><![CDATA[Blues]]></category>
		<category><![CDATA[Folk Blues]]></category>
		<category><![CDATA[Sports Music]]></category>
		<guid isPermaLink="false">http://www.publicdomain2ten.com/?p=1116</guid>

					<description><![CDATA[This song is personal favorite of mine. Carl Martin&#8217;s humorous admonition to all prize fighters, telling them to stay off Joe Louis&#8217; beat is a classic. There isn&#8217;t a wasted word in this song, and Martin&#8217;s delivery is as solid as a punch from the champ himself. It&#8217;s a shame the 78 has the snap, [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><img decoding="async" class="size-medium alignleft" src="https://publicdomain4u.com/wp-content/uploads/2012/06/carl_martin_joe_lewis_image150.jpg" alt="" width="150" height="104" />This song is personal favorite of mine. Carl Martin&#8217;s humorous admonition to all prize fighters, telling them to stay off Joe Louis&#8217; beat is a classic. There isn&#8217;t a wasted word in this song, and Martin&#8217;s delivery is as solid as a punch from the champ himself. It&#8217;s a shame the 78 has the snap, crackle, pop of an old recording.</p>
<p><iframe src="https://archive.org/embed/Carl_Martin-Joe_Lewis_Blues" width="500" height="140" frameborder="0" webkitallowfullscreen="true" mozallowfullscreen="true" allowfullscreen></iframe></p>
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		<post-id xmlns="com-wordpress:feed-additions:1">24319</post-id>	</item>
		<item>
		<title>Mississippi John Hurt &#8211; &#8220;Nobody&#8217;s Dirty Business&#8221;</title>
		<link>https://publicdomain4u.com/mississippi-john-hurt-nobodys-dirty-business/</link>
		
		<dc:creator><![CDATA[publicdomain4u]]></dc:creator>
		<pubDate>Mon, 03 Dec 2018 06:00:23 +0000</pubDate>
				<category><![CDATA[Free Listen]]></category>
		<category><![CDATA[Blues]]></category>
		<category><![CDATA[Folk Blues]]></category>
		<guid isPermaLink="false">http://www.publicdomain2ten.com/?p=167</guid>

					<description><![CDATA[Mississippi John Hurt sings on this thinly-veiled song about domestic violence in &#8220;Nobody&#8217;s Dirty Business.&#8221; According to John, the sadism works both ways. Eventually his woman leaves. But John writes her a letter begging her to come back. She eventually returns and I suspect the dynamic keeps cycling over and over again. An important message [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><img decoding="async" src="https://publicdomain4u.com/wp-content/uploads/2018/12/Mississippi_John_Hurt.jpg" alt="" width="274" height="274" class="alignnone size-full wp-image-32672" data-wp-pid="32672" nopin="nopin" srcset="https://publicdomain4u.com/wp-content/uploads/2018/12/Mississippi_John_Hurt.jpg 274w, https://publicdomain4u.com/wp-content/uploads/2018/12/Mississippi_John_Hurt-150x150.jpg 150w" sizes="(max-width: 274px) 100vw, 274px" /></p>
<p>Mississippi John Hurt sings on this thinly-veiled song about domestic violence in &#8220;Nobody&#8217;s Dirty Business.&#8221; According to John, the sadism works both ways. Eventually his woman leaves. But John writes her a letter begging her to come back. She eventually returns and I suspect the dynamic keeps cycling over and over again. An important message brought to you from way back in 1935 &#8211; sometimes relationships just plain old don&#8217;t work out.</p>
<p><iframe src="https://archive.org/embed/MississippiJohnHurt-nobodysDirtyBusiness" width="500" height="140" frameborder="0" webkitallowfullscreen="true" mozallowfullscreen="true" allowfullscreen></iframe></p>
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		<post-id xmlns="com-wordpress:feed-additions:1">24526</post-id>	</item>
		<item>
		<title>Blind Lemon Jefferson &#8211; &#8220;One Dime Blues&#8221;</title>
		<link>https://publicdomain4u.com/blind-lemon-jefferson-one-dime-blues/</link>
		
		<dc:creator><![CDATA[publicdomain4u]]></dc:creator>
		<pubDate>Tue, 20 Nov 2018 06:00:03 +0000</pubDate>
				<category><![CDATA[Free Listen]]></category>
		<category><![CDATA[Blues]]></category>
		<category><![CDATA[Folk Blues]]></category>
		<guid isPermaLink="false">http://www.publicdomain2ten.com/?p=7876</guid>

					<description><![CDATA[Although the subject matter of &#8220;One Dime Blues&#8221; may be cliche in the world of blues, no other artist has such a powerful cadence as the great Blind Lemon Jefferson. Jefferson&#8217;s quick-chords and toe-tapping rhythm is sharp juxtaposition with the song&#8217;s subject matter, each verse tackling the plight of the poor in the 1920s.]]></description>
										<content:encoded><![CDATA[<p><img decoding="async" class="alignnone size-medium wp-image-30407" src="https://publicdomain4u.com/wp-content/uploads/2012/05/Blind-Lemon300-283x300.jpg" alt="" width="283" height="300" data-wp-pid="30407" /></p>
<p>Although the subject matter of &#8220;<em>One Dime Blues</em>&#8221; may be cliche in the world of blues, no other artist has such a powerful cadence as the great Blind Lemon Jefferson. Jefferson&#8217;s quick-chords and toe-tapping rhythm is sharp juxtaposition with the song&#8217;s subject matter, each verse tackling the plight of the poor in the 1920s.</p>
<p><iframe src="https://archive.org/embed/Blind_Lemon_Jefferson_One_Dime_Blues" width="500" height="140" frameborder="0" webkitallowfullscreen="true" mozallowfullscreen="true" allowfullscreen></iframe></p>
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		<post-id xmlns="com-wordpress:feed-additions:1">24530</post-id>	</item>
		<item>
		<title>Jack Kelly &#038; His South Memphis Jug Band &#8211; &#8220;Highway No. 61&#8221;</title>
		<link>https://publicdomain4u.com/jack-kelly-highway-no-61-blues-folk-jug-music-mp3-download</link>
		
		<dc:creator><![CDATA[publicdomain4u]]></dc:creator>
		<pubDate>Tue, 23 Dec 2014 01:38:59 +0000</pubDate>
				<category><![CDATA[Free Listen]]></category>
		<category><![CDATA[Blues]]></category>
		<category><![CDATA[Folk]]></category>
		<category><![CDATA[Folk Blues]]></category>
		<category><![CDATA[Jug Music]]></category>
		<guid isPermaLink="false">http://www.publicdomain2ten.com/?p=498</guid>

					<description><![CDATA[Several decades before Bob Dylan recorded his breakthrough &#8220;Highway 61 Revisited&#8221; album, the folk-blues song &#8220;Highway No. 61&#8221; was interpreted by numerous blues singers including Charlie Pickett, Memphis Minnie and Joe McCoy, The Sparks Brothers and others. Jack Kelly &#38; His South Memphis Jug Band recorded this classic version with fiddler Will Batts on vocal [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><img decoding="async" class="alignright size-full wp-image-30056" src="https://publicdomain4u.com/wp-content/uploads/2014/12/Jack_Kelly_His_South_Memphis_Jug_Band-300px1.jpg" alt="Jack Kelly &amp; His South Memphis Jug Band - Highway No. 61" width="300" height="300" srcset="https://publicdomain4u.com/wp-content/uploads/2014/12/Jack_Kelly_His_South_Memphis_Jug_Band-300px1.jpg 300w, https://publicdomain4u.com/wp-content/uploads/2014/12/Jack_Kelly_His_South_Memphis_Jug_Band-300px1-150x150.jpg 150w, https://publicdomain4u.com/wp-content/uploads/2014/12/Jack_Kelly_His_South_Memphis_Jug_Band-300px1-100x100.jpg 100w" sizes="(max-width: 300px) 100vw, 300px" />Several decades before Bob Dylan recorded his breakthrough &#8220;Highway 61 Revisited&#8221; album, the folk-blues song <em>&#8220;Highway No. 61&#8221;</em> was interpreted by numerous blues singers including Charlie Pickett, Memphis Minnie and Joe McCoy, The Sparks Brothers and others. Jack Kelly &amp; His South Memphis Jug Band recorded this classic version with fiddler Will Batts on vocal duties. According to Dylan, when he told his record label the title of his new album in 1965, they didn&#8217;t understand it, and only agreed to let him call the record what he wanted after to he went all the way &#8220;up the fucking ladder&#8221; to insist on it. The rest is history.</p>
<audio class="wp-audio-shortcode" id="audio-24191-1" preload="none" style="width: 100%;" controls="controls"><source type="audio/mpeg" src="http://archive.org/download/JackKellyHighwayNo61_201412/HighwayNo.61.mp3?_=1" /><a href="http://archive.org/download/JackKellyHighwayNo61_201412/HighwayNo.61.mp3">http://archive.org/download/JackKellyHighwayNo61_201412/HighwayNo.61.mp3</a></audio>
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		<post-id xmlns="com-wordpress:feed-additions:1">24191</post-id>	</item>
		<item>
		<title>The Mississippi Sheiks &#8211; &#8220;Please Baby&#8221;</title>
		<link>https://publicdomain4u.com/mississippi-sheiks-please-baby-folk-blues-country-music-mp3-download</link>
		
		<dc:creator><![CDATA[publicdomain4u]]></dc:creator>
		<pubDate>Wed, 23 Apr 2014 01:46:20 +0000</pubDate>
				<category><![CDATA[Free Listen]]></category>
		<category><![CDATA[Blues]]></category>
		<category><![CDATA[Country]]></category>
		<category><![CDATA[Folk]]></category>
		<category><![CDATA[Folk Blues]]></category>
		<guid isPermaLink="false">http://www.publicdomain2ten.com/?p=334</guid>

					<description><![CDATA[The Mississippi Sheiks from Bolton, Mississippi were a popular band in their time, and their recorded songs have been covered by an impressive list of artists that includes Howlin&#8217; Wolf, Nat King Cole, Frank Sinatra, Harry Belafonte and Bob Dylan. Three of the Sheiks were brothers Lonnie, Sam, and Armenter Chatmon, the latter of whom [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><img decoding="async" src="https://publicdomain4u.com/wp-content/uploads/2014/04/Mississippi_Shieks.jpg" alt="Mississippi_Shieks" width="300" height="214" class="alignright size-full wp-image-29824" />The <a href="https://publicdomain4u.com/?s=mississippi+sheiks">Mississippi Sheiks</a> from Bolton, Mississippi were a popular band in their time, and their recorded songs have been covered by an impressive list of artists that includes Howlin&#8217; Wolf, Nat King Cole, Frank Sinatra, Harry Belafonte and Bob Dylan. Three of the Sheiks were brothers Lonnie, Sam, and Armenter Chatmon, the latter of whom is famously known as <a href="https://publicdomain4u.com/?s=bo+carter">Bo Carter</a>, who enjoyed a successful solo career while he managed and was a part time member of the band. This recording of <em>&#8220;Please Baby&#8221;</em> captures their distinct blend of country, folk, and blues.</p>
<audio class="wp-audio-shortcode" id="audio-24162-2" preload="none" style="width: 100%;" controls="controls"><source type="audio/mpeg" src="http://archive.org/download/MississippiSheiksP1C65D9E/MississippiSheiks-P%231C65D9E.mp3?_=2" /><a href="http://archive.org/download/MississippiSheiksP1C65D9E/MississippiSheiks-P%231C65D9E.mp3">http://archive.org/download/MississippiSheiksP1C65D9E/MississippiSheiks-P%231C65D9E.mp3</a></audio>
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		<post-id xmlns="com-wordpress:feed-additions:1">24162</post-id>	</item>
		<item>
		<title>Son House &#8211; &#8220;My Black Mama (Part 1)&#8221;</title>
		<link>https://publicdomain4u.com/son-house-my-black-mama-part-1-mp3-download</link>
		
		<dc:creator><![CDATA[publicdomain4u]]></dc:creator>
		<pubDate>Mon, 14 Oct 2013 01:03:50 +0000</pubDate>
				<category><![CDATA[Free Listen]]></category>
		<category><![CDATA[Blues]]></category>
		<category><![CDATA[Folk Blues]]></category>
		<guid isPermaLink="false">http://www.publicdomain2ten.com/?p=1696</guid>

					<description><![CDATA[The lyrics and music that Son House put down in the 1920&#8217;s and early 30&#8217;s left an indelible mark on blues, country, rock, RnB, and just about every genre of American music. His classic &#8220;My Black Mama (Part 1)&#8221; has been covered and reinterpreted by a who&#8217;s-who of blues legends including Robert Johnson, who recorded [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><img decoding="async" src="https://publicdomain4u.com/wp-content/uploads/2013/10/son-house200px-1.jpg" alt="son-house200px" width="200" height="200" class="alignright size-full wp-image-31647" srcset="https://publicdomain4u.com/wp-content/uploads/2013/10/son-house200px-1.jpg 200w, https://publicdomain4u.com/wp-content/uploads/2013/10/son-house200px-1-150x150.jpg 150w, https://publicdomain4u.com/wp-content/uploads/2013/10/son-house200px-1-100x100.jpg 100w" sizes="(max-width: 200px) 100vw, 200px" />The lyrics and music that Son House put down in the 1920&#8217;s and early 30&#8217;s left an indelible mark on blues, country, rock, RnB, and just about every genre of American music. His classic <em>&#8220;My Black Mama (Part 1)&#8221;</em> has been covered and reinterpreted by a who&#8217;s-who of blues legends including Robert Johnson, who recorded it as <em>&#8220;Walkin&#8217; Blues.&#8221;</em> John Lee Hooker called his post-war version <em>&#8220;Burnin&#8217; Hell,&#8221;</em> based on the lines &#8220;Ain&#8217;t no heaven, ain&#8217;t no burnin&#8217; hell, where I&#8217;m goin&#8217; when I die, can&#8217;t nobody tell.&#8221; This amazing solo vocal and guitar performance has lost none of its power over nearly a century since it was released on 78 RPM discs.</p>
<audio class="wp-audio-shortcode" id="audio-24344-3" preload="none" style="width: 100%;" controls="controls"><source type="audio/mpeg" src="http://archive.org/download/SonHouseMyBlackMamaPart1/SonHouse-MyBlackMama-Part1.mp3?_=3" /><a href="http://archive.org/download/SonHouseMyBlackMamaPart1/SonHouse-MyBlackMama-Part1.mp3">http://archive.org/download/SonHouseMyBlackMamaPart1/SonHouse-MyBlackMama-Part1.mp3</a></audio>
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		<post-id xmlns="com-wordpress:feed-additions:1">24344</post-id>	</item>
		<item>
		<title>Bertha Lee with Charley Patton &#8211; &#8220;Mind Reader Blues&#8221;</title>
		<link>https://publicdomain4u.com/bertha-lee-with-charley-patton-mind-reader-blues-mp3-download</link>
		
		<dc:creator><![CDATA[publicdomain4u]]></dc:creator>
		<pubDate>Wed, 19 Jun 2013 18:07:53 +0000</pubDate>
				<category><![CDATA[Free Listen]]></category>
		<category><![CDATA[Blues]]></category>
		<category><![CDATA[Folk Blues]]></category>
		<guid isPermaLink="false">http://publicdomain4u.com/?p=29235</guid>

					<description><![CDATA[Recorded shortly before Charley Patton&#8217;s death, &#8220;Mind Reader Blues&#8221; is a song he performed with his common-law wife, Bertha Lee. In her magnificent voice, Lee scolds Patton for his womanizing even as he lovingly accompanies her on guitar. The lyrics are auto-biographical: &#8220;I remember a day when I were livin&#8217; at Lula town, I remember [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><img decoding="async" class="alignright size-full wp-image-32353" src="https://publicdomain4u.com/wp-content/uploads/2013/06/Charley-Patton_Early-Roots-Blues-History.jpeg" alt="" width="225" height="225" data-wp-pid="32353" srcset="https://publicdomain4u.com/wp-content/uploads/2013/06/Charley-Patton_Early-Roots-Blues-History.jpeg 225w, https://publicdomain4u.com/wp-content/uploads/2013/06/Charley-Patton_Early-Roots-Blues-History-150x150.jpeg 150w" sizes="(max-width: 225px) 100vw, 225px" />Recorded shortly before Charley Patton&#8217;s death, <em>&#8220;Mind Reader Blues&#8221;</em> is a song he performed with his common-law wife, Bertha Lee. In her magnificent voice, Lee scolds Patton for his womanizing even as he lovingly accompanies her on guitar. The lyrics are auto-biographical: &#8220;I remember a day when I were livin&#8217; at Lula town, I remember a day when I were livin&#8217; at Lula town, my man did so many wrong things &#8217;til I had to leave the town.&#8221; Bertha Lee hailed from Lula, Mississippi, and Patton lived there with her for a time. What exactly he did so they had to leave, one can only wonder! This is a clean transfer from 78RPM platter from 1934.</p>
<audio class="wp-audio-shortcode" id="audio-29235-4" preload="none" style="width: 100%;" controls="controls"><source type="audio/mpeg" src="http://archive.org/download/BerthaLeeWithCharleyPattonMindReaderBlues/BerthaLeeWithCharleyPatton-MindReaderBlues.mp3?_=4" /><a href="http://archive.org/download/BerthaLeeWithCharleyPattonMindReaderBlues/BerthaLeeWithCharleyPatton-MindReaderBlues.mp3">http://archive.org/download/BerthaLeeWithCharleyPattonMindReaderBlues/BerthaLeeWithCharleyPatton-MindReaderBlues.mp3</a></audio>
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		<post-id xmlns="com-wordpress:feed-additions:1">29235</post-id>	</item>
		<item>
		<title>Kansas Joe McCoy &#8211; &#8220;Pile Driver Blues&#8221;</title>
		<link>https://publicdomain4u.com/joe-mccoy-pile-driver-blues-mp3-download</link>
		
		<dc:creator><![CDATA[publicdomain4u]]></dc:creator>
		<pubDate>Wed, 17 Apr 2013 01:39:52 +0000</pubDate>
				<category><![CDATA[Free Listen]]></category>
		<category><![CDATA[Blues]]></category>
		<category><![CDATA[Folk Blues]]></category>
		<guid isPermaLink="false">http://www.publicdomain2ten.com/?p=1090</guid>

					<description><![CDATA[Kansas Joe McCoy and his wife Memphis Minnie were stars in the Memphis and Chicago blues music scenes. Together they recorded the hit &#8220;Bumble Bee&#8221; in 1929 for Columbia Records, and a stack of other great vinyl 78 sides. &#8220;Pile Driver Blues&#8221; features Kansas Joe singing over their trademark lead and rhythm guitar interplay. Jimi [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><img decoding="async" src="https://publicdomain4u.com/wp-content/uploads/2013/04/Kansas-Joe-McCoy.jpg" width="180" height="209" alt="" class="alignright size-medium" />Kansas Joe McCoy and his wife Memphis Minnie were stars in the Memphis and Chicago blues music scenes. Together they recorded the hit <em>&#8220;Bumble Bee&#8221;</em> in 1929 for Columbia Records, and a stack of other great vinyl 78 sides. <em>&#8220;Pile Driver Blues&#8221;</em> features Kansas Joe singing over their trademark lead and rhythm guitar interplay. Jimi Page and others in the English blues and rock scene would draw heavily on their influence a few decades later.</p>
<audio class="wp-audio-shortcode" id="audio-24314-5" preload="none" style="width: 100%;" controls="controls"><source type="audio/mpeg" src="http://archive.org/download/JoeMcCoyPileDriverBlues/JoeMcCoy-PileDriverBlues.mp3?_=5" /><a href="http://archive.org/download/JoeMcCoyPileDriverBlues/JoeMcCoy-PileDriverBlues.mp3">http://archive.org/download/JoeMcCoyPileDriverBlues/JoeMcCoy-PileDriverBlues.mp3</a></audio>
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		<post-id xmlns="com-wordpress:feed-additions:1">24314</post-id>	</item>
		<item>
		<title>Frank Stokes &#8211; &#8220;I&#8217;m Going Away Blues&#8221;</title>
		<link>https://publicdomain4u.com/frank-stokes-im-going-away-blues-mp3-download</link>
		
		<dc:creator><![CDATA[publicdomain4u]]></dc:creator>
		<pubDate>Fri, 05 Apr 2013 01:47:52 +0000</pubDate>
				<category><![CDATA[Free Listen]]></category>
		<category><![CDATA[Blues]]></category>
		<category><![CDATA[Folk Blues]]></category>
		<guid isPermaLink="false">http://www.publicdomain2ten.com/?p=1097</guid>

					<description><![CDATA[Often hailed as the &#8220;Father of the Memphis blues&#8221; guitar style, Frank Stokes recorded dozens of 78 RPM sides for Paramount and Victor Records in the 1920&#8217;s. Under his own name and as part of the Beale Street Sheiks, Stokes introduced a touch of show biz professionalism to what had been a mainly folk music [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><img decoding="async" src="https://publicdomain4u.com/wp-content/uploads/2013/04/Frank_Stokes.jpg" width="200" height="183" alt="Frank Stokes" class="alignleft size-medium" />Often hailed as the &#8220;Father of the Memphis blues&#8221; guitar style, Frank Stokes recorded dozens of 78 RPM sides for Paramount and Victor Records in the 1920&#8217;s. Under his own name and as part of the <a href="https://publicdomain4u.com/beale-street-sheiks-jazzin-the-blues/mp3-download">Beale Street Sheiks</a>, Stokes introduced a touch of show biz professionalism to what had been a mainly folk music tradition. Playing the southern minstrel and vaudeville circuit, he influenced not only blues artists, but also country singers like Jimmie Rodgers. <em>&#8220;I&#8217;m Going Away Blues&#8221;</em> features a country fiddle with Stokes&#8217; acoustic blues strumming and sublime vocal performance.</p>
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