Peg Leg Howell led a very spicy life to say the least. He lost his leg in a fight and was in and out of jail for bootlegging. A self-taught guitarist, he supplemented his income performing his music wherever he could. With the help of Eddie Anthony, Joshua Howell (Peg Leg) bridged the gap between Country and 12 Bar Blues. After listening to this song, I wish I could have seen Peg Leg perform.
What an inspired performance! I found this original performance of this classic at publicdomainreview.org. The former song-plugger turned composer wrote this song in 1924, and it still resonates today. I especially enjoy this version, and am very glad to share it with you.
A real music pioneer, Paul Whiteman added orchestral instrumentation to the jazz of the day and recorded “Do Wacka Do” over 90 years ago. We mastered the original for streaming, and cleaned up this masterpiece of fun and joy. I can picture a truly great cartoon of the singer and band in my mind just listening to this song.
Covered by many, yet understood by few, “Midnight Special” was traditionally a folk song which originated among prisoners. The country-blues version, sung by Bill Cox, hums along like a freight train, encouraging the light of the powerful locomotive to inspire those out of their destitution.
This is exactly why I love this site so much. I would have never heard Lydia sing, so clearly. Again thanks to Michael Rosen @ Easy Bay Recorders, he made us a clean digital file. What a great vocal! What fine 12 string guitar playing! What a dark song! Check out the translated lyrics.
Enigmatic blues legend Kid Bailey (AKA Willie Brown) left behind scant few recordings, and clean copies are difficult or perhaps impossible to come by. We downloaded the best audio we could find of Bailey’s classic “Rowdy Blues” from Archive.org, and asked producer Michael Rosen to employ his studio magic to reconstruct the audio with glitches and pops reduced and the warmth of the original recording brought to the fore. It’s a great live take from nearly a century ago, and we are happy to be able to share it for new audiences to enjoy today.
“You Are My Sunshine” is an example of country music’s large contribution to American music. This version shows off the song’s country roots. The tune was made popular by Jimmie Davis, who would later became governor of Lousiana. The song was written by a Paul Rice, but the songwriting was credited to the Jimmie Davis and Charles Mitchell, who purchased the song from Mr. Rice.
Wilf Carter, who performs this version, was a Canadian who often used the nickname of “Montana Slim.” Carter’s version evokes the deep melancholy in the song. The contrast between the cheery chorus (the most recognizable section), and the tone of the verses, make this version unique.
One curious part of this recording, the fluttery instrument that emerges during the first chorus, sounds like a direct reference point for a similar texture The Clash would employ on “Somebody Got Murdered,” several decades later.
Born in January of 1900 in Allatoona, Georgia, Clayton McMichen had his great success recording with Gid Tanner and the Skillet Lickers and Hometown Boys, and also as a solo artist. His solo effort performance of “Grave In The Pines” is a starkly sweet and sincere lament to a fallen love. McMichen performed regularly in Louisville, Kentucky until retiring in 1955, and later returning to the stage at the Newport Folk Festival in 1964.