Hot Lips, baby! Bill Brown and his Brownies really put something together on this side, recorded for the Brunswick label in 1927. This full combo performance featuring brass, reeds, banjo, tuba, piano, washboard and percussion is as air-tight as it is humorous and fun. Note, the record label states plainly: “For Dancing.” They weren’t kidding! This is so hot, you’re gonna need some lip balm.
Born in Canada in 1900, keyboardist and composer Hartzel “Tiny” Parham grew up mostly in Kansas City. As a young man, Parham relocated to Chicago where he established himself as a bandleader and also worked as an arranger and talent scout for Paramount Records. He cut numerous sides for Victor Records, under the name Tiny Parham and His Musicians. Here is one of those classic sides, the ebullient and musically very advanced “Washboard Wiggles.” You had to be on your toes to keep up with this cat, and they were, and they did! Enjoy.
This uptempo instrumental romp from Syd Valentine’s Patent Leather Kids features some expert piano, banjo, and trumpet work. The players perform solo and together in a tightly arrangement they called “Rock And Gravel.” Hailing from Indianpolis, Indiana, the group’s main personnel were Syd Valentine, James Helm and Paul George. When the trio played live however, they often had as many as ten pieces in their orchestra. They recorded six songs accompanying Blues singer Hattie Snow, and a few more instrumentals on their own, on the same day that this number was recorded. Enjoy!
Another important figure in early Jug Music, Clifford Hayes was born in 1895 in Glasgow, Kentucky. Hayes played fiddle with the Earl McDonald Jug Band in nearby Louisville, the birthplace of Jug music. He later started his own band, and recorded with Sarah Martin and other notables. Jug music was a huge social and musical phenomenon in the late 19th and early 20th century, which happened to coincide with the dawn of recorded music. We are fortunate to have these clear audio glimpses into the past, and “Dance Hall Shuffle” more than lives up to its name. Such a great ensemble performance of piano, guitar, banjo, washboard, fiddle and the kitchen sink.
Named after the Quality Cafe in Los Angeles, Harvey Brooks Quality Four was one of several bands formed by pianist Harvey Brooks with clarinet and sax man, Paul Howard. Here is their instrumental version of the classic American murder ballad, “Frankie and Johnny.” This song has been recorded and released both vocally and instrumentally a whopping 256 times at least, by a who’s-who of music greats from America and around the world. This was one of the first.