This scratchy copy of a Son House classic is pure gold. A master at creating unusual chord structures, Son House uses his vocal and guitar to create moving double-harmonies. Jack White of White Stripes fame dedicated the White Stripe’s first album to Son House.
Born in January of 1900 in Allatoona, Georgia, Clayton McMichen had his great success recording with Gid Tanner and the Skillet Lickers and Hometown Boys, and also as a solo artist. His solo effort performance of “Grave In The Pines” is a starkly sweet and sincere lament to a fallen love. McMichen performed regularly in Louisville, Kentucky until retiring in 1955, and later returning to the stage at the Newport Folk Festival in 1964.
This righteous song claims freedom from stodgy ways. Punk before there was Punk. A blues standard, this was adapted for fiddle by Earl Johnson, who learned to play the fiddle from his father. I’m sure you’ll notice the attitude this fiddler’s arrangement has. I admire the spunk!
Born on a farm in Eatonton, Georgia in March of 1888, Joshua Barnes Howell taught himself to play guitar at the age of 21. He took the name “Peg Leg” after losing his right leg when he was shot in a fight. Howell then moved to Atlanta to pursue music full-time and in 1926 he was discovered and recorded by Columbia Records. On “Peg Leg Stomp” as on a series of releases through the 1920’s, Howell was accompanied by Eddie Anthony on fiddle and Henry Williams on guitar. Decades later, during the 1960’s blues revival, Peg Leg Howell was rediscovered by George Mitchell, who recorded him again.